Long passionate about Berber rugs  and artwork, ten years ago we positioned ourselves at the base of the Atlas Mountains in the small town of  ATLAS, in the province of Zaïane, Morocco. By foot we have explored the mountains-home to nomadic tribes with immensely rich artistic traditions-and uncovered authentic Berber carpets and ancient relics, unique and precious, in the hope of providing a link between the artists and you, future guardians of their work. It is therefore from the cradle of the Berber artistic tradition that we offer you these marvelous pieces-directly and without intermediaries, from our farm to your house, anywhere in the world.AUTHENTICITY AND TRADITION: A STORY TO TELLWe believe that Berber carpets speak to us about the lives, work, and emotions of their weavers.

It is the Berber women, with their expert ands, who patiently craft each carpet for their families-be it a precious marriage offering or a large bed blanket to keep a whole family warm. We select our carpets with an eye to their artistic quality, privileging originality over commercial viability.With enormous respect for the hard work that Berber families bring to the creation of a single carpet, we not only guarante the authenticity of what we offer but will also tell you the story of each piece.
Beni Ourain Carpets To browse our current collection of Moroccan Beni Ourain carpets visit our online shop.Originally woven by the Beni Ourain tribe for use as bedding, our collection of one-of-a- kind pile carpets are hand-woven from the long curly wool of an ancient breed of Berber sheep.

From the eighth to the twentieth century, this nomadic tribe lived in remote region in the Middle Atlas Mountains of North Africa secluded from the influence of Arab aesthetics. As a result of the centuries of cultural isolation, the Beni Ourain tribe carpets represent a pure strain of abstract magical utilitarian art that was created to protect the human spirit from negative energy and to protect the human body from the elements.

In the early 20th century, with the conscious inception of Western abstract art, Beni Ourain carpets began to be appreciated and in corporated into interiors by visionary designers such as Le Cobusier, Charles and Ray Eames, Alvar Alto, Ruby Ross Wood and Frances Elkins. The subdued yet bold presence of a Beni Ouarain tribal carpet blends beautifully with the clean lines of modern furniture and architecture.In the 21st century, Beni Ourain carpets continue to be collected and appreciated by architects and interior designers. With its natural warmth durability and sparse elegant black and white designs, each unique hand-woven tribal art carpet in our collection brings true modernist style to an interior space.HISTOIRE-DU-TAPIS-MAROCAIN

We invite you to visit our Beni Ourain Moroccan rug souk in the Chelsea Market, or explore our online shop filled with a special collection of unique modern & amp; vintage Beni Ourain carpets and runners. We have collected a wide variety of original Beni Ourain carpets:  lattice patterns, criss-cross patterns, wave patterns, diamond patterns, jewel patterns, zip patterns, greek key designs, monochrome designs, modern moroccans, and vintage moroccans…This hand-picked collection of one-of-a-kind Beni Ourain rugs ranges from refined Beni Ourains with a luminous sheen to rustic Beni Ourains with a deep ‘flokati style’ pile, traditional odd Moroccan sizes tocontemporary extra large sizes ….all hand-woven in Morocco from 100% sheep’s wool.

[space] [border] I. Moroccan Rugs

General Information Morocco’s history, and the story of Moroccan weaving begins with the Berbers, the indigenous people of North Africa who had inhabited Morocco for centuries before the first Arab invasion in the seventh century. Today, the major weaving groups of the Middle Atlas and High Atlas mountains are Berber tribes, many of whom still live much as they did centuries earlier.

While remarkably diverse, Moroccan flatwoven and knotted pile rugs are almost without exception bold in color and lively in pattern. Designs are made up of geometric motifs arranged in seemingly endless var iations. Each tribe has its own distinct repertoire of designs and colors significant to the ceremonial and day to day life of the group. These same patterns can be seen in the art forms relating to other areas of tribal life such as in ceramics, architectural decoration, and tattoos worn by Berber women. Although a weaver draws from the vocabulary of designs particular to her tribe, she works at her loom without a diagram or pattern to guide her. As a result, each rug is a unique creation, a celebration both of her tribal identity and her own artistic imagination.

II. Moroccan Rugs and 20th Century Design

The colors of North Africa have been celebrated for centuries by well known fine artists from the west – Delacroix, Matisse, Klee come immediately to mind. Somewhat less widely known but no less significant is the historic connection between Moroccan art, and rugs in particular, and 20th century western design. From Europe and the Bauhaus to 1960’s and 70s American designers like Billy Baldwin, the simple geometric patterns of Moroccan carpets have long been used to enhance sophisticated modern furnishings and interiors. Pile carpets from the Middle Atlas Mountains of Morocco can be found in well known historic houses such as Frank Lloyd Wright’s Fallingwater and Charles and Ray Eames Pacific Palisades house in California. The late nineteen nineties have brought about a renewed appreciation for mid-century modernism as well as elements of sixties and seventies style and color. The brightness and warmth of oranges and saffron yellows in Morocco’s High Atlas rugs or the neutral beige ground Beni Ouarain and  talsint and  beni M’Guild rugs, their thick pile sometimes reminiscent of sixties shag, are still accessible and are being utilized anew in contemporary interiors. With their had spun wool and authentic indigenous character, these one-of-a-kind rugs have an organic quality not found in their factory made counterparts from other areas of the world.